Feb 29 Visited Lone Pine (Western Films)

Lone Pine History 

In 1920, the history of Lone Pine was dramatically altered when a movie production company came to the Alabama Hills to make the silent film The Roundup.^[12] Other companies soon discovered the scenic location, and in the coming decades, over 400 films, 100 television episodes, and countless commercials have used Lone Pine and the Alabama Hills as a film location.^[12] Notable films shot here in the 1920s and 1930s include Riders of the Purple Sage (1925) with Tom Mix, The Enchanted Hill (1926) with Jack Holt, Somewhere in Sonora (1927) with Ken Maynard, Blue Steel (1934) with John Wayne, Hop-Along Cassidy (1935) with William Boyd, The Charge of the Light Brigade (1936) with Errol Flynn, Oh, Susanna! (1936) with Gene Autry, Rhythm on the Range (1936) with Bing Crosby, The Cowboy and the Lady (1938) with Gary Cooper, Under Western Stars (1938) with Roy Rogers, and Gunga Din (1939) with Cary Grant.

In the coming decades, Lone Pine and the Alabama Hills continued to be used as the setting for Western films, including West of the Pecos (1945) with Robert Mitchum, Thunder Mountain (1947) with Tim Holt, The Gunfighter (1950) with Gregory Peck, The Nevadan (1950) with Randolph Scott, Bad Day at Black Rock (1955) with Spencer Tracy, Hell Bent for Leather (1960) with Audie Murphy, How the West Was Won (1962) with James Stewart, Nevada Smith (1966) with Steve McQueen, Joe Kidd (1972) with Clint Eastwood, Maverick (1994) with Mel Gibson, and The Lone Ranger (2013) with Johnny Depp. Through the years, non-Western films also used the unique landscape of the area, including Alfred Hitchcock's Saboteur (1942) with Robert Cummings, Samson and Delilah (1949) with Hedy Lamarr, Star Trek V: The Final Frontier (1989) with William Shatner, Tremors (1990) with Kevin Bacon, The Postman (1997) with Kevin Costner, and Gladiator (2000) with Russell Crowe.

The most important movie filmed in and around Lone Pine is director Raoul Walsh's High Sierra (1941), starring Humphrey Bogart as Roy Earle in the role that moved Bogart from respected supporting player to leading man. Cast and crew lodged in Lone Pine, and Walsh shot various scenes in and around Lone Pine. For the film's mountain chase scenes, Walsh took everyone to nearby Mt. Whitney, where pack mules lugged camera equipment up the mountainside: "filming began just outside Lone Pine ... on August 5, 1940. ... On a slope at the side of Mt. Whitney, ... a group of twenty men from the studio worked for four days to clear a path so that mountain-trained mules, packing cameras and other equipment, could get up to the shooting area. ... Bogart had to run three miles up a mountainside for two days ... Walsh ordered all the big boulders removed from the path of [Bogart's] final fall, but the little ones remained, and Bogart complained about that plenty ... Bogie especially did not want to trek up that mountain. This was the shoot on which Walsh gave him the nickname 'Bogey the Beefer'".^[13] John Huston wrote the screenplay, and Ida Lupino co-starred.

Film Museum

John Wayne

Lone Ranger and Tonto

Roy Rogers

Gene Autry

Iron Man

Star Wars

Transformers

As we were leaving the Museum a lady approached us to see if we were interested in completing a survey for the local Chamber of Commerce regarding tourism. She told us it was a 5-7 minute survey.
The discussion lasted for more than an hour as we exchanges stories of our adventures and theirs of their trip around the world. They joined us at our campsite in the Alabama Hills later for happy hour.
The most enjoyable survey I have ever participated in.

Sandra and Wayne Burns